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Amarna$506355$ - перевод на Английский
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.jpg?width=200 "Akhenaten, Pharaoh of Egypt. Egyptian Museum, Cairo.")
![Limestone relief fragment. A princess holding a sistrum behind Nefertiti, who is partially seen. Reign of Akhenaten, Amarna. [[Petrie Museum of Egyptian Archaeology]]](https://commons.wikimedia.org/wiki/Special:FilePath/Limestone relief fragment. A princess holding sistrum behind Nefertiti, who is partially seen. Reign of Akhenaten. From Amarna, Egypt. The Petrie Museum of Egyptian Archaeology, London.jpg?width=200 "Limestone relief fragment. A princess holding a sistrum behind Nefertiti, who is partially seen. Reign of Akhenaten, Amarna. [[Petrie Museum of Egyptian Archaeology]]")
![Limestone trial piece showing head of Nefertiti. Mainly in ink, but the lips were cut out. Reign of Akhenaten, Amarna. [[Petrie Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/Limestone trial piece showing head of Nefertiti. Mainly in ink, but the lips were cut out. Reign of Akhenaten. From Amarna, Egypt. The Petrie Museum of Egyptian Archaeology, London.jpg?width=200 "Limestone trial piece showing head of Nefertiti. Mainly in ink, but the lips were cut out. Reign of Akhenaten, Amarna. [[Petrie Museum]]")
![faience]] from [[Brooklyn Museum]]](https://commons.wikimedia.org/wiki/Special:FilePath/Nuovo regno, fine della XVIII dinastia, scimmia in faience, 1352-1336 ac ca, da el amarna 02.JPG?width=200 "faience]] from [[Brooklyn Museum]]")
Определение
Википедия
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Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten (r. 1351–1334 BC) in the late Eighteenth Dynasty, during the New Kingdom. Whereas Ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of depictions, especially of people, and the subject matter. The artistic shift appears to be related to the king's religious reforms centering on the monotheistic or monolatric worship of the Aten, the disc of the Sun, as giver of life.
Like Akhenaten's religious reforms, his preferred art style was abandoned after the end of his reign. By the reign of Tutankhamun, both the pre-Amarna religion and art style had been restored.
